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Syracuse Opera to Present Man of La Mancha
Free Performance in Partnership with City of Syracuse Department of Parks & Recreation

July 12, 2011

Syracuse Opera


Catherine Wolff

General & Artistic Director

NEWS RELEASE

Syracuse Opera to Present
Man of La Mancha

Free Performance in Partnership with City of Syracuse Department of Parks & Recreation

(Syracuse, N.Y., July 12, 2011) – On Sunday, August 7, 2011, at 3:00 p.m., Syracuse Opera will present Man of La Mancha at the Thorden Park Ampitheater. The performance is being presented in partnership with the City of Syracuse Department of Parks and Recreation. The performance is FREE and open to the public.

The Syracuse Opera chorus will perform the show, conducted by Douglas Kinney Frost, Syracuse Opera's Director of Music, as the following characters:

Don Quixote/Cervantes - Joshua Fingerhut
Sancho Panza - Alfonso Annotto
Aldonza/Dulcina - Danan Tsan
Inkeeper/Governor - Bruce Paulsen
Dr. Currasco/The Duke - Mark Braiman
Padre - Matthew Green
Antonia - Katie Tangretti
Housekeeper - Shannon Garvey
Anselmo - Phillip McMullen
Pedro - Eric Zimmerman

Members of the Ensemble:

Cheryl Baldwin
Matthew Abernathy
DeeAnn Cummings
Carl Hanig
Olya Swart
Corey Hopkins
John Melvin
Daniel William

All cast members are local residents in Central New York. The performance will be accompanied by a full orchestra.

More infomration is available by contacting the Syracuse Opera Box Office at 315-476-7372 or online at www.syracuseopera.com.

Contact:

Joe Stabb
Director of Communication
O: (315) 475-5915
C: (315) 886-9544
jstabb@syracuseopera.com

 

Media Resources:

Man of La Mancha
Promotion Poster

Syracuse Opera Man of La Mancha Poster

Syracuse Opera
2011-2012 Season

SyracuseOpera.com/season.cfm

Syracuse Opera
Season Brochure

PDF (11mb)

Visit SyracuseOpera.com for more information and additional performances offered throughout the season.

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Synopsis

Miguel de Cervantes, aging and an utter failure in his varied careers as playwright, poet and tax collector for the government, has been thrown into a dungeon in Seville to await trial by the Inquisition for an offense against the Church. There he is hailed before a kangaroo court of his fellow prisoners; thieves, cutthroats and trollops who propose to confiscate his meagre possessions one of which is the uncompleted manuscript of a novel called "Don Quixote." Cervantes, seeking to save it, proposes to offer a novel defense in the form of entertainment. The "court" accedes and before their eyes, donning makeup and costume, Cervantes and his faithful manservant transform themselves into Don Quixote and Sancho Panza. They proceed to play out the story with the participation of the prisoners as other characters.

Quixote and Sancho take to the road, on "horses" which dance a lively flamenco, singing Man of La Mancha in a campaign to restore the age of chivalry, to battle evil and right all wrongs. The famous encounter with the windmills follows, but Quixote ascribes his defeat to the machinations of his enemy, the dark Enchanter, whom one day he will meet in mortal combat.

In a roadside inn-which Quixote, spying from a distance, insists to Sancho is really a castle-Aldonza, the inn's serving girl and part-time trollop, is propositioned by a gang of rough Muleteers. Quixote, arriving at the inn, sees Aldonza as the dream-ideal whom he will serve evermore, singing Dulcinea to her. Aldonza is confused and angered by Quixote's refusal to see her as she really is.

The Padre and Dr. Carrasco arrive at the inn but on questioning Quixote, are frustrated by his lunatic logic. They are interrupted by the arrival of an itinerant Barber singing The Barber's Song. Quixote confiscates the Barber's shaving basin, convinced that it is really the "Golden Helmet" of Mambrino, and is ceremoniously crowned with the aid of the Muleteers and the incredulous Barber.

Later Aldonza encounters Quixote in the courtyard where he is holding vigil, in preparation for being dubbed a knight by the Innkeeper. She questions him on his seemingly irrational ways, and is answered by Quixote in a statement of his credo, The Impossible Dream.

Aldonza has caught the fever of Quixote's idealism but, attempting to put it into practice, is cruelly beaten and ravaged by the Muleteers in The Abduction and is carried off.

On the road again, Quixote and Sancho encounter a thievish band of Moors and are robbed of all their possessions in the The Moorish Dance. They return to the inn, only to encounter the disillusioned Aldonza who sings her denunciation of the Quixotic dream in the dramatic Aldonza. A fantastic figure, the Enchanter disguised as the Knight of the Mirrors, enters; challenging Quixote to combat, the Enchanter defeats him, forcing him to see himself as a pathetic clown.

At home again, the old man who once called himself Don Quixote is dying. Aldonza, having followed, forces her way into the room, pleading poignantly with him to restore the vision of glory she held so briefly, in the song Dulcinea. Quixote, remembering, rises from his bed to reaffirm the stirring Man of La Mancha, but collapses, dying. Aldonza, having glimpsed the vision once more, refuses to acknowledge death, saying, "My name is Dulcinea."

Back in Cervantes' dungeon the prisoners, dregs of humanity though they are, have been deeply affected by his story and restore to him his precious manuscript. Cervantes is summoned to his real trial by the Inquisition. The prisoners unite to sing him on his way with The Impossible Dream.

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About Syracuse Opera
Now in its 37th year, Syracuse Opera enriches the lives of the people of upstate New York through locally produced opera, the one all-inclusive art form that celebrates the beauty of the human singing voice energized through the spectacle of live theater. Offering three mainstage productions each season and year-round community performances and education programs, Syracuse Opera is a professional company reaching over 60,000 people annually. For more information, please visit www.SyracuseOpera.com or call (315) 475-5915.

Syracuse Opera productions are made possible with public funds from the New York State Council on the Arts, a state agency; a state grant secured by Senator John A. DeFrancisco; and, through a grant from the Trust for Cultural Resources of the County of Onondaga.

Syracuse Opera is a member of OPERA America, the Arts & Culture Leadership Alliance of CNY, and the Cathedral Square Neighborhood Association.


FOR MORE INFORMATION CONTACT:
Michael A. Connor
Director of Advancement
315-475-5915
mac@syracuseopera.com